Исполнители

Johann Sebastian Bach
Köthener Trauermusik BWV 244a
Солисты:
soprano - Sabine Devieilhe
alto - Damien Guillon
tenor - Thomas Hobbs
bass - Christian Immler
Оркестр и хор: Ensemble Pygmalion
Дирижер: Raphaël Pichon
Ensemble Pygmalion, Raphaël Pichon
CHOIR
Soprano - Anne-Marie Beaudette, Armelle Cardot Froeliger
Anne-Emmanuelle Davy, Violaine Le Chenadec, Lucie Van Baaren
Alto - Jean-Christophe Clair, Cécile Pilorger, Marie Pouchelon, Alexander Schneider
Tenor - Didier Chassaing, Davy Cornillot, Guillaume Gutierrez, Randol Rodriguez Rubio
Bass - Pau Bordas, Nicolas Boulanger, Geoffroy Heurard, Pierre Virly
ORCHESTRA
Konzertmeister - Sophie Gent
Violin I - Sophie Gent, Louis Créac’h, Béatrice Linon, Marie Rouquié
Violin II - Gabriel Grosbard, Cyrielle Eberhardt, Satomi Watanabe, David Wish
Viola - Jérôme Van Waerbeke, Kate Goodbehere
Viola da gamba - Julien Léonard, Myriam Rignol
Violoncello - Antoine Touche
Double bass - Christian Staude, Thomas de Pierrefeu (1, 7, 15)
Oboe - Jasu Moisio, Lidewei De Sterck
Flute - Georgia Browne, Anne Thivierge
Bassoon - Evolène Kiener
Organ - Sébastien Daucé
Harpsichord - Arnaud De Pasquale
Theorbo, archlute - Thomas Dunford
Lute - Diego Salamanca
Enregistrement mai 2014, Versailles, Chapelle royale
Audio CD (29 Sept. 2014)

Лог создания рипа

Exact Audio Copy V1.0 beta 4 from 7. December 2014
EAC extraction logfile from 22. March 2015, 10:03
Raphaël Pichon / J.S. Bach - Köthener Trauermusik - Raphael Pichon
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Read mode : Secure
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Null samples used in CRC calculations : Yes
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TOC of the extracted CD
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1 | 0:00.00 | 4:45.40 | 0 | 21414
2 | 4:45.40 | 1:22.22 | 21415 | 27586
3 | 6:07.62 | 3:46.11 | 27587 | 44547
4 | 9:53.73 | 0:56.58 | 44548 | 48805
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13 | 36:44.14 | 0:30.13 | 165314 | 167576
14 | 37:14.27 | 3:18.18 | 167577 | 182444
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19 | 51:38.25 | 4:32.08 | 232375 | 252782
20 | 56:10.33 | 5:45.30 | 252783 | 278687
21 | 61:55.63 | 1:27.39 | 278688 | 285251
22 | 63:23.27 | 2:55.48 | 285252 | 298424
23 | 66:19.00 | 1:33.29 | 298425 | 305428
24 | 67:52.29 | 6:05.66 | 305429 | 332869
Range status and errors
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Filename K:\Ripped\[7534] J.S. Bach – Köthener Trauermusik – Raphael Pichon\J.S. Bach - Köthener Trauermusik - Raphael Pichon.wav
Peak level 99.2 %
Extraction speed 3.3 X
Range quality 100.0 %
Test CRC 22ADBD25
Copy CRC 22ADBD25
Copy OK
No errors occurred
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==== Log checksum E68EED2CE7D379D0B1EA2B97771D3F340FC388008E6227152805C52E8FB145C4 ====

Содержание индексной карты (.CUE)

REM GENRE Classical
REM DATE 2014
REM DISCID 5E115618
REM COMMENT "ExactAudioCopy v1.0b4"
CATALOG 3149020221129
PERFORMER "Ensemble Pygmalion, Raphaël Pichon / Sabine Devieilhe (soprano), Damien Guillon (alto), Thomas Hobbs (tenor), Christian Immler (bass)"
TITLE "J.S. Bach - Köthener Trauermusik - Raphaël Pichon"
FILE "J.S. Bach - Köthener Trauermusik - Raphaël Pichon.flac" WAVE
TRACK 01 AUDIO
TITLE "KÖTHENER TRAUERMUSIK BWV 244a. Musique funèbre pour le Prince Léopold d'Anhalt-Köthen.
Restitution Morgan Jourdain / Collaboration à la restitution : Raphaël Pichon. 1. Abteilung. 1. Chorus: Klagt, Kinder, klagt es aller Welt"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon"
ISRC FRZ141412010
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "2. Recitativo (A): O Land! Bestürztes Land!"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Damien Guillon (alto)"
ISRC FRZ141412020
INDEX 01 04:45:40
TRACK 03 AUDIO
TITLE "3. Aria (A): Weh und Ach"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Damien Guillon (alto)"
ISRC FRZ141412030
INDEX 01 06:07:62
TRACK 04 AUDIO
TITLE "4. Recitativo (T): Wie wenn der Blitze Grausamkeit"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Thomas Hobbs (tenor)"
ISRC FRZ141412040
INDEX 01 09:53:73
TRACK 05 AUDIO
TITLE "5. Aria (T): Zage nur, du treues Land"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Thomas Hobbs (tenor)"
ISRC FRZ141412050
INDEX 01 10:50:56
TRACK 06 AUDIO
TITLE "6. Recitativo (S): Ach ja! Wenn Tränen oder Blut"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Sabine Devieilhe (soprano)"
ISRC FRZ141412060
INDEX 01 14:56:61
TRACK 07 AUDIO
TITLE "7. Chorus: Komm wieder, teurer Fürsten-Geist"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon"
ISRC FRZ141412070
INDEX 01 16:02:35
TRACK 08 AUDIO
TITLE "2. Abteilung. 8. “Dictum.” Chorus: Wir haben einen Gott, der da hilft"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon"
ISRC FRZ141412080
INDEX 01 20:08:74
TRACK 09 AUDIO
TITLE "9. Recitativo (A): Betrübter Anblick voll Erschrecken"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Damien Guillon (alto)"
ISRC FRZ141412090
INDEX 01 23:58:16
TRACK 10 AUDIO
TITLE "10. Aria (A): Erhalte mich"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Damien Guillon (alto)"
ISRC FRZ141412100
INDEX 01 24:36:51
TRACK 11 AUDIO
TITLE "11. Recitativo (S): Jedoch der schwache Mensch erzittert nur"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Sabine Devieilhe (soprano)"
ISRC FRZ141412110
INDEX 01 31:00:30
TRACK 12 AUDIO
TITLE "12. Aria (S): Mit Freuden sei die Welt verlassen"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Sabine Devieilhe (soprano)"
ISRC FRZ141412120
INDEX 01 32:04:27
TRACK 13 AUDIO
TITLE "13. Recitativo (B): Wohl also dir"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Christian Immler (bass)"
ISRC FRZ141412130
INDEX 01 36:44:14
TRACK 14 AUDIO
TITLE "14. “Repetatur Dictum” Wir haben einen Gott, der da hilft"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon"
ISRC FRZ141412140
INDEX 01 37:14:27
TRACK 15 AUDIO
TITLE "3. Abteilung. 15. Aria (B): Lass, Leopold, dich nicht begraben"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Christian Immler (bass)"
ISRC FRZ141412150
INDEX 01 40:32:45
TRACK 16 AUDIO
TITLE "16. Recitativo (A): Wie könnt es möglich sein"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Damien Guillon (alto)"
ISRC FRZ141412160
INDEX 01 45:40:24
TRACK 17 AUDIO
TITLE "17. Aria (A): Wird auch gleich nach tausend Zähren"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Damien Guillon (alto)"
ISRC FRZ141412170
INDEX 01 46:30:17
TRACK 18 AUDIO
TITLE "18. Recitativo (T): Und, Herr, das ist die Spezerei"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Thomas Hobbs (tenor)"
ISRC FRZ141412180
INDEX 01 50:48:60
TRACK 19 AUDIO
TITLE "19. Aria a 2 Cori: Geh, Leopold, zu deiner Ruhe"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon"
ISRC FRZ141412190
INDEX 01 51:38:25
TRACK 20 AUDIO
TITLE "4. Abteilung. 20. Aria (B): Bleibet nur in eurer Ruh"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Christian Immler (bass)"
ISRC FRZ141412200
INDEX 01 56:10:33
TRACK 21 AUDIO
TITLE "21. Recitativo (S): Und du, betrübtes Fürstenhaus"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Sabine Devieilhe (soprano)"
ISRC FRZ141412210
INDEX 01 61:55:63
TRACK 22 AUDIO
TITLE "22. Aria (S): Hemme dein gequältes Kränken"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Sabine Devieilhe (soprano)"
ISRC FRZ141412220
INDEX 01 63:23:27
TRACK 23 AUDIO
TITLE "23. Recitativo (B): Nun scheiden wir"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon, Christian Immler (bass)"
ISRC FRZ141412230
INDEX 01 66:19:00
TRACK 24 AUDIO
TITLE "24. Chorus: Die Augen sehn nach deiner Leiche"
PERFORMER "Ensemble Pygmalion, Raphaël Pichon"
ISRC FRZ141412240
INDEX 01 67:52:29

Доп. информация

When Leopold of Anhalt-Cöthen died in 1728, his former Kapellmeister had not forgotten the five brilliant years he had spent in the prince’s service. He dedicated to his memory a mourning cantata almost entirely based on the music of two major works of the mid-1720s, the Trauer-Ode and the St Matthew Passion. Although the score is lost, the wordbook and other sources of information have now made it possible to reconstruct the work. In his first recording for harmonia mundi, Raphaël Pichon invites us on an exciting musical treasure hunt.
Even today, study of the genesis of the major works of Bach can reveal numerous trails that are little explored by musicians themselves. While reading new material on the St Matthew Passion, after spending a great deal of time with Pygmalion on the sources of the B minor Mass, I became aware of the existence of what seemed to be a very ambitious piece of funeral music, the music for which is lost but nonetheless catalogued BWV 244a, in other words directly linked with the Passion in question. Although it is generally acknowledged today that only two of the four or five Passions composed by Bach are still extant, I was immediately fascinated to discover the existence of this Trauermusik, written in 1729 during a period that saw the birth of some of the Kantor’s greatest masterpieces, which was apparently his longest cantata, consisting of four parts.
A number of elements quickly make it clear that we are dealing here with a major event in Bach’s creative career. This is affect-laden music of mourning for a ‘beloved prince’, recalling an era of magnificent achievement for Bach, his years in the service of Prince Leopold of Anhalt-Cöthen. It comes from a key creative period in his life marked by two masterpieces, the Trauerode BWV 198 and the St Matthew Passion; and it provided a unique opportunity for the composer to perform his ‘best music’ outside Leipzig, where he was confined at that time. Here is a pivotal work in the Kantor’s corpus, one whose potential duration gives it an unprecedented situation. The combination of circumstances at once stimulated me to throw myself wholeheartedly into this new hunt for buried treasure.